

The Safarani Sisters: Reincarnation By Jonathan Goodman.Umber Majeed: In the Name of Hypersurface of the Present By Julie Nelson.Ann McCoy: The Procession of the Invisible College By Hovey Brock.Suzanne Bocanegra: Poorly Watched Girls By Grant Klarich Johnson.Juan Pablo Langlois: Afterwards no one will remember By Colin Edgington.LOL Cats: In Marx For Cats the Internet Confronts Its Favorite Meme By G Douglas Barrett and Mr.John Bock: Dead + Juicy By Jessica Holmes.Thinking Collections: Telling Tales: A Survey Exhibition of Kyzyl Tractor Art Collective By Osman Can Yerebakan.Jaimie Warren: One Moment in Time By Nina Wolpow.
#Seth price dispersio series
#Seth price dispersio code
Instead of exploring the internet’s formal properties - code and connectivity among them - “Free” explores its broader influence as a territory populated and fought over by individuals, government, and corporations, as a tool and as a cultural catalyst. Rather, it explores how artists are engaging with the complex freedoms of a newly expanded public space how they are examining the possibilities and dilemmas enabled by broader availability and circulation of digital material, rooting out information that is missing or hidden in an ostensibly more transparent society, and locating new contexts for art to take place. “Free” is based in this commitment to openness - but not directly about the movement itself.
#Seth price dispersio free
“Free” takes its name from free culture, a social movement that acknowledges the revolution the internet has caused in industries like music and print publishing, and argues that it be dealt with as an opportunity for greater sharing and distribution of knowledge, rather than a threat. Publicness today has as much to do with sites of production and reproduction as it does with any supposed physical commons, so a popular album could be regarded as a more successful instance of public art than a monument tucked away in an urban plaza.” As the artist Seth Price wrote in his essay “Dispersion,” which serves as a touchstone for this exhibition and is featured here within a large-scale sculptural Essay with Knots: “Collective experience is now based on simultaneous private experiences, distributed across the field of media culture, knit together by ongoing debate, publicity, promotion, and discussion. What constitutes this expanded public is not only greater social connectedness but a highly visual, hybrid commons of information. Our shared space has expanded beyond streets and schools to more distributed forms of collectivity. “Free” explores how the internet has fundamentally changed our landscape of information and our notion of public space.
